It doesn’t happen every day that you meet one of your heroes. When that meeting turns into a friendship and then a collaboration, you know you’ve been blessed.
Wynton and I met almost twenty years ago, for a poster project that we both signed. Since then I designed a poster for The New Orleans Jazz & Heritage Festival that depicted him in his Crescent City hometown, we’ve worked together on two books, and I spent a week out on the road with him and the Jazz at Lincoln Center Orchestra making sketchbook drawings.
Wynton has won a Pulitzer, nine Grammys and numerous other citations and honors, he has been an inspiration to many, many musicians and people who are making their way in the world as artists. Whenever we meet, he always acknowledges the accomplishment of survival with the words “So, we’re still out here.”
I’ve admired so much about him, the way he leads fifteen of the greatest jazz musicians of any era in the JALC Orchestra, the way he sits with young musicians who bring their instruments to a concert hoping for advice from the maestro, and his thoughtful writing and lectures on the important place that jazz music holds in our history and culture. I’ve seen him working on a symphony in a hotel room with no piano, and I’ve seen him stay late after a gig talking to fans until it’s just him and the guy locking the place up.
Tuesday is Wynton’s 50th birthday. There has been a week-long series of concerts at JALC’s Rose Theater featuring special guests and some serious swing. I wish I was there acknowledging the accomplishment.
Sketches for New Orleans Jazz & Hertiage Festival, 2002
Colored-pencil sketch for poster
Seventeen color silk-screen poster
Wynton at soundcheck in Atlanta
Here's a preview of our second book for Candlewick Press, our first book, Jazz ABZ is still in print, (turns out kids love books with Coleman Hawkins in them.) The new book is a picture book for young readers about sounds titled Squeak, Rumble, Whomp Whomp Whomp! We're trying to get it finished while we're still on this earth. It's scheduled for Fall 2012.
Last week Jazz ABZ opened at The Cummer Museum in Jacksonville, FL. I’d like to thank Museum Director Hope McMath and all the staff of the museum for mounting the show. The gallery looks beautiful and the opening was a wonderful experience. Over 1000 people came out, there were lots of families, and the music was great. I met some nice people and heard a lot of stories about jazz music and musicians, including a gentleman who told me he loaned Ella Fitzgerald money when her band was stranded in Boston. I was so busy, I forgot to take any pictures at the opening. I’ll be back for a talk during the Jacksonville Jazz Festival.
I noticed that there was a big drop-offin quality when you go from these 15th Century temperas on panel to those airbrush and ink jazz images.
After the opening, Jill and I drove down to Sarasota to visit the legendary Alex Steinweiss. He was exactly the way you’d like to be at 92 years old. His apartment is full of modern furniture, books and paintings, and he was full of stories. He told me that all those covers he did for Columbia Records didn’t have to get approval by anyone but him. He made the images, sent them to the printers, and they showed up in the stores.
Here’s a portrait Alex did of his beloved Boston Terrier, Maestro.
This message hangs right by the door. The person Alex talked about the most was his art teacher at Lincoln High in Brooklyn, Leon Friend, a teacher who had a huge impact on many students including another legend, Seymour Chwast.
The book was a project I started without a publisher. I had the idea for an abecedary of jazz musicians, made a list of one for each letter of the alphabet, and started working on the images in-between my other assignments. Because there was no deadline, and there was the strong possibility that these would never see the light of day, I decided to do whatever I wanted with them, and to borrow (you're right . . . steal) from the artists I admired from each era that the jazz musician is associated with. The list of artists includes Stuart Davis, Paul Rand, Miquel Covarrubias, the forgotten French designer Pierre Merlin, Al Hirshfeld, Juan Gris, David Stone Martin, and Alex Steinweiss.
When Jazz ABZ was published I sent a copy of the book to Mr. Steinweiss, with a note telling him he was a big inspiration on the project, and I hoped he‘d like the book. Steinweiss was the first artist to design graphics for album covers in 1940 for Columbia Records, he’s 92 and living in Sarasota, FL. About a week later I received a note back saying very nice things about the book and inviting me to visit him if I was ever in Florida, so after the opening, Jill and I are driving down to spend a few hours with the master. If you haven't seen the new Taschen book on Steinweiss career, here's a link.